If I watch a film from Japan that is more fun than this one in 2017 I will be most surprised. He is like this in his outward facing performance and in his audience-available inner monologue. Required fields are marked *. But worry not, the opening 5 minutes of this film with catch you up on what has gone before. Now, Papillon climbs the gang’s ladder to become the heir apparent to big boss Shuho Todoroki (Koichi Iwaki, magisterial) and is ordered to bust the Dragon Skulls, an uppity Chinese gang that’s aligned with a disgraced yakuza out to get back at Seki-ya. Another force to be reckoned with is Chief Kabuto (Eita), rising star in the police force on a crusade against moles and stool pigeons. In the original, Reiji’s dorky bluntness endears him to his flamboyant but principled commando “Crazy Papillon” Masaya Hiura (Shinichi Tsutumi), who heads a sub-branch of Seki-ya. Thanks to the uniquely brilliant wit of screenwriter Kankuro Kudo (Too Young to Die), it outshines its predecessor on every level, and the most sufficient response is just three letters: WTF. He’s still having his bromance with the clan’s 2nd in charge ‘Crazy Papillon’ Masaya Hiura (Sinichi Tsutumi, Why Don’t You Play in Hell), and still having an awkward relationship with the cute Policewoman Junna (Riisa Naka, Mitsuko Delivers). The film does have some other issues. So it’s Takashi Miike in playful mood, with jokes and crazy action and doesn’t feel like a money grab. We'll just send you an update of the most recent posts this week, with occasional theme-based emails, in line with our, Review: The Forbidden Legend: Sex and Chopsticks 2. And this time, he’s up against the Dragon Skulls, a Chinese gang that’s made an unholy alliance with a dishonored yakuza to bring pain on the almighty Suki-ya clan.
Starring Toma Ikuta, Eita, Rissa Naka, Tsubasa Honda, Shinichi Tsutsumi. Miike returns with a hugely satisfying if ridiculous sequel to his previous hugely satisfying if ridiculous movie…. I don’t think we covered here at easternKicks, but if you can excuse my shameless self publicising, you’ll see my own review of the original at gweiloramblings.
There’s a Chinese Triad gang in town specialising in Human Trafficking, led by an excommunicated member of the Yakuza clan. Directed by Takashi Miike. We also see the Local Police embrace a new leader, Shinya Kabuto (Eita, Summer Time Machine Blues), who really really doesn’t like undercover cops. The new characters are welcome, and whilst some of the previous supporting cast are pushed much more into the background, theres a comfort in seeing them there.
128 mins. And for those of you who are tl;dr about this – I loved it. 土竜の唄 香港狂騒曲. The romance between Reiji and Junna takes more of a back seat but is still somewhat endearing. Above all, this is a sequel that feels like not only an upgrade on the first movie, but as a natural extension of it. Finally! With the shooting done mostly on soundstages, production designer Yuji Hayashida and set decorator Akira Sakamoto employ eye-scalding color schemes and garish sets where one cannot tell day from night, to conjure an insular fantasy world running on its own time and rules. With trouble brewing between yakuza turncoats and encroaching Chinese gangs, the yarn boasts more visual overkill, more cartoon violence, and even less protection for protagonist Reiji’s pride-and-joy.
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And his ongoing romance with dweeby traffic warden Junna (Riisa Naka) is surprisingly touching. The naked gag is reused for more escapades, such as a torture ritual involving a campfire BBQ, with yakuzas as ersatz boy scouts. Buy more and save with a 3+ film package. Another week passes, and another Takashi Miike movie appears. This website uses cookies so that we can provide you with the best user experience possible. Subscribe to our weekly digest and you'll never miss a review, interview or competition. Japanese, English, Mandarin, Pidgin Cantonese dialogue with English subtitles 128 minutes Takashi Miike’s most entertaining and delirious film in years, The Mole Song: Hong Kong Capriccio returns to the pop madness of The Mole Song: Undercover Agent Reiji and turns it up to eleven, resulting in a yakuza extravaganza that proudly stands on its own.
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All you need to know is that when Reiji is made to dangle from a helicopter with just a wadded up newspaper for a fig leaf, Miike has considerably upped the ante of an iconic scene in the original in which the cop is strapped to a speeding car in equally buff fashion. Only Nipponese cult helmer Takashi Miike can pull off a martial arts smackdown using a dripping toilet plunger as a weapon. The Mole Song: Hong Kong Capriccio reconnects us with pretty much the same cast of characters. And just like Marmite™ you are either going to love it, or it is going to ruin the whole experience for you. And that’s not even the most disgusting of gags in “The Mole Song: Hong Kong Capriccio,” the sequel to yakuza fantasia “The Mole Song: Undercover Agent Reiji,” adapted from Noboru Takahashi’s popular manga. There IS one aspect that is going to make the film either sink or swim for you….
If you haven’t seen part one (or even if you have), you probably wouldn’t catch the drift of this.
Takashi Miike’s most entertaining and delirious film in years, The Mole Song: Hong Kong Capriccio returns to the pop madness of The Mole Song: Undercover Agent Reiji and turns it up to eleven, resulting in a yakuza extravaganza that proudly stands on its own. The Mole Song -Hong Kong Capriccio- Fuji Television continues to maintain its status as an innovative leader in Japan’s television industry since its establishment. Of course, the only thing he can’t resist is temptation, giving rise to two rollicking scenes on a massage couch and inside a car. Miike also forgoes his personal stamp of wacky details and gut-spilling violence here, in favor of splashier but more generic action extravaganzas. Directed by Takashi Miike.
Still, a zappy energy prevails, and whoever can see the outrageous ending coming must be a genius or a lunatic. Get tickets ». This website uses cookies to provide you with the best browsing experience. For 50 years, Film at Lincoln Center has been dedicated to supporting the art and elevating the craft of cinema and enriching film culture. Craziness and kidnappings lead us to a showdown in Hong Kong. Costumer Yuya Maeda outfits the cast with a wardrobe as loud as their high-volume performances, with an insect theme of butterflies, moths, and lizards. I really loved that one back then, sadly an English-friendly release never materialized itself for this follow-up. Final chance to see NYFF58 selections! Appointed as personal bodyguard to Todoroki, he soon finds he’s the one who needs protection — from the voracious advances of Todoroki’s wife and 19-year-old daughter Karen (Tsubasa Honda), whose demure appearance conceals a sadistic edge when she aggressively offers to lose her virginity to him. Azazel Jacobs, Michelle Pfeiffer & Lucas Hedges on Making, Christian Petzold on His Mythological Melodrama, Paul Felten, Joe DeNardo & Stephanie Hayes on Their Experimental Thriller, Japanese, English, Mandarin, Pidgin Cantonese dialogue with English subtitles. Variety and the Flying V logos are trademarks of Variety Media, LLC.
So, Reiji’s back. It takes far too long until the film gets to the Hong Kong part of the story – it’s not until the third act we finally get to the titular city.
128 mins. Starring Toma Ikuta, Eita, Rissa Naka, Tsubasa Honda, Shinichi Tsutsumi. He over-reacts. If you disable this cookie, we will not be able to save your preferences. I personally loved it, but I do know people who are going to find it a total turn-off. It also has that rare quality of a crazy asian comedy where everything actually makes some kind of sense, and all the plot strands actually join up together.
It doesn’t matter. The most enjoyable parts, however, continue to be Reiji’s blunders and sexual misadventures, even if Ikuta’s hyperventilating performance looks like someone’s strapped a taser to his pants.
It showed Miike in a playful mood, playing with the Yakuza conventions he is well versed in, along with a consistent comedic touch I don’t think he has gotten quite right since 2001’s The Happiness of the Katakuris (don’t get me wrong, I love Ace Attorney, For Love’s Sake and Yatterman, but they all were uneven and uniformly too long). Leave a comment This article is within the scope of WikiProject Film.If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces.To use this banner, please refer to the documentation.To improve this article, please refer to the guidelines. And that’s not even the most disgusting of gags in “The Mole Song: Hong Kong Capriccio,” the ... Tsubasa Honda, Koichi Iwaki, Nanao, Riisa Naka, Arata Furuta.
This time however, Reiji has several other parties to content with. The best from over 15 years of Asian film reviews, interviews, features and news... Meiko Kaji is slow to see betrayal in the actions of her racist unrequited beau in this 70’s cinema supernova…, An ambitious and heartfelt if patchy attempt to dramatise and personalise the HK protests…, A series of strange and violent events turn a night in a convenience store into a bloodbath…, Wong Hin Lik uses haunting imagery to ruminate on lost love…, An LGBT themed moving drama on the true meaning of family…, Life lessons, love and money in this rags to riches Hong Kong drama…. However, I am really hunting for things to critique the film about. Win a festival pass for yourself and a friend... (more…) Read on →, Yuasa uses a charming fairy tale narrative to give form to his wild visual style... (more…) Read on →, Johnnie To attempts something a little different with an all-star musical about corporate greed... (more…) Read on →, In this classic Hong Kong comedy, the best people in the world to stop evil drug lords are a lawyer, an arms dealer and a psycho... (more…) Read on →, Your email address will not be published. Your email address will not be published. (Sure, there’s a first part, but who cares?)
A turbo-charged prologue recaps events that led up to the current predicament of Reiji Kikukawa (Toma Ikuta, “The Fallen Angel”), the police force’s most incompetent cadet, who got fired for stealing lingerie, and re-hired to infiltrate Sukiya-kai, Japan’s strongest yakuza clan.
Japan 2016.
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