The film took in $11,657,385 at the US box office after an opening weekend gross of $2,603,286,[1] which forced Bluth's studio into liquidation half a year after its release. During a concert, he is introduced to Goldie Pheasant as a distraction in case Chanticleer's friends come to find him. However, he acclaimed the hand-drawn animation, calling it superior to the "shabby rotoscoping techniques" of Beauty and the Beast (1991).

However, it was quickly rejected by the then-heads of the studio for the same reason it had been in the past. Although it was in development at the Disney studio from the '40s up until the mid-'60s, it never saw completion. A novelization of the film, written by Don Bluth and Chip Lovitt, was published by Troll Communications LLC (.mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-8167-2475-X).
The first VHS release includes a sneak peek at Don Bluth's next animated feature, Thumbelina, showing a scene where Thumbelina (voiced by Jodi Benson who previously voiced Ariel from Disney's The Little Mermaid) meets Prince Cornelius (voiced by Gary Imhoff) from the Vale of the Fairies and falls in love with him. He is instead greeted by the Duke, who is angered by Edmond's interference and uses his magical breath to transform Edmond into a kitten with the intent to devour him. This gave Walt the idea to create an opposing villain character that would help boost sympathy on the rooster. The truth is, it does; until one day into the farm yard comes another rooster who fights with Chanticleer and keeps him so busy that the sun, who has a habit of coming up every morning at that time, peeks its little head over the hill. Set on a Parisian farm in the late 1800s , much like the play, Chanticleer was to have been the story of a vain rooster whose leadership the other barnyard animals had accepted because they all truly believed his crowing was what brought the sun up each morning. Walt combined the project with another project going under the title Reynard the Fox, inspired by a French folktale. Marc Davis and Ken Anderson decided to collaborate on a film inspired by the growing popularity of Broadway musicals.

[9] In a positive review, the Washington Post wrote "The young ones, who certainly don't give a sticky-fingered hoot about animation production values, are likely to have a good time with this. [15], Charles Soloman, a critic for the Los Angeles Times disliked the film's writing, reasoning that it was filled with plot holes, forced "fun" elements, and rejection of the source material's "powerful message about the importance of self-knowledge." The music for Chanticleer was composed by George Bruns. After they had both finished their work on One Hundred and One Dalmatians, animators Marc Davis and Ken Anderson decided to collaborate in order to create a film in the wake of Broadway musicals. Though they were getting a significant amount of work done, other animators were more interested in The Sword in the Stone. Composer T. J. Kuenster has some funny songs. [7] Prior to the North American theatrical release, a sneak preview of the film was included on the 1990 VHS release of All Dogs Go to Heaven. [7] None of these did any better than Rock-a-Doodle critically or commercially, except Thumbelina, which did get slightly better in critical reception. The movie turned out to be a box office bomb and was critically panned, so much so that it led to Don Bluth's studio getting shut down.

He is then chased away by a vengeful Hunch into the distance once and for all.

Rock-a-Doodle is a 1991 live-action/animated musical comedy produced by Sullivan Bluth Studios and Goldcrest Films. Though he would not agree to the former proposal, Walt did decide that one of the two projects currently in development at the studio would have to be shelved. • Chanticleer, a rooster appearing in fables about Reynard The Fox Although, Marc and Ken worked very hard for the next few months, creating lots of concept art, the other animators were more interested in Bill Peet's The Sword in the Stone because they also had the doubt that a rooster would be able to be sympathetic.

[13] Dave Kehr of the Chicago Tribune criticized the film's overwhelming amount of characters and subplots as well as its "frantic" altering in pacing and tone. He also praised the voice acting and "witty" take of the "Bach vs. rock" story. They're not Ashman and Menken (The Little Mermaid songwriting team), but they're sprightly. The music would have been composed by George Bruns.
This Chanticleer animated movie concept was later revived and turned into the movie Rock-a-Doodle, directed by ex-Disney animator Don Bluth. However, after they reported to him that they were in difficulties because they were unsure how to make a sympathetic character out of the titular rooster, Walt combined the project with that of "Reynard the Fox", another story animators were working on adapting at the time. The best is probably a Bach-like fugue number, in which the Grand Duke and his owlish goons sing "Never Let Him Crow" around a church organ. However, the live-action scenes, including all animated elements, were shot in hard-matted widescreen. Chanticleer's friends from the farm, along with Edmond, a young human boy who was transformed into a kitten by the Duke, take off on a mission to get Chanticleer to bring back the sun and save the country before it is too late.

The sun becomes very upset after that and hides behind the clouds never to come out again. Hunch inadvertently frees Edmond and the others, and they help Chanticleer and Goldie make a grand escape in a helicopter, which they use to return to the farm. The reason why The Sword in the Stone was kept over Chanticleer was because it was cheaper to animate humans than it was animals. The animation was shot on an open-matte full-screen negative, meaning the top and bottom of the image was cropped to fit the theatre screen along with the new Olive Films DVD and Blu-ray releases. At this, he would have realized the error in his vanity, found the strength to beat the cock and chased away the baddies for a happy ending. Without Chanticleer, rain continues to pour non-stop, causing a massive flood all over the country. Nevertheless, Edmond picks up Chanticleer's book and thanks him for coming back, before he is magically transported into Chanticleer's world, where he witnesses the rooster singing to make the sun shine. After their batteries run out, the denizens of the farm are nearly made a meal of by the Duke and his minions when they are driven off by the helicopter's spotlight. A second edition was released by MGM Home Entertainment through Sony Pictures Home Entertainment on 8 November 2005. It's about a character named Chanticleer who thinks that when he crows the sun comes up. Test audiences also felt confused by the storytelling so the filmmakers decided to include narration told by the dog character, Patou, voiced by Phil Harris. Rock-a-Doodle was originally going to be released by MGM–Pathe Communications Co., but studio partnership was facing financial difficulties, so Bluth rescheduled Rock-a-Doodle for release around Thanksgiving 1991 and selected The Samuel Goldwyn Company as the film's distributor. "Chanticleer": Opening to the film; the farm animals would have sung about how much they loved Chanticleer as they woke up in the morning.

Chanticleer was going to be a Disney animated movie based on Edmond Rostand's play Chantecler. Elsewhere, a beautiful Pheasant who was new on the farm had constantly been trying to get Chanticleer to notice her, but all her attempts had failed. However, a ruthless band of "Night Creatures" led by vicious fox Reynard, is planning to seize the animals on the farm for food. Chanticleer, now under the name of "The King", has become a famous Elvis impersonator under his manager Pinky Fox, who is employed by the Duke to keep Chanticleer in the city and prevent his friends from finding him. A blog post about the film's development. Bluth chose this direction because he was influenced by Roger Rabbit. The copyright date of 1990 appears in the film's end credits, although it was not released until at least a year later. In 2010, the film was released along with The Pebble and the Penguin as a double-sided DVD. The soundtrack for Rock-a-Doodle was composed by Robert Folk and performed by the Irish Film Orchestra, with songs written and produced by T.J. Kuenster, one of the songwriters for All Dogs Go to Heaven. The Duke taunts Chanticleer and tries to drown him, but Edmond starts chanting Chanticleer's name in hopes of reviving his spirit, provoking the Duke into strangling Edmond until he loses consciousness. So Reynard, hoping that her beauty would distract Chanticleer so that the rooster couldn't ruin his plan, offered to give her a makeover.


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